Hello from the Galia Lahav Team!
We are thrilled beyond reason to announce our new GALA campaign. This is a collection we hold very dear to our hearts, one which represents the music and tones of marriage and the bride.
Take a journey into the movement, soul, and flow of walking down the aisle, the first dance, and falling in love again. Welcome to GALA No. V, a collection that has a beat of its own.
The latest GALA collection combines an ease and flow to allow for expressive movement with high quality and a fashion-forward bend, inspired by music’s many genres and icons.
Galia Lahav set out to explore the intangible of the five senses.
GALA Collection No. 5 took on rhythm, challenging ourselves to bring adagios, crescendos and a symphony of sounds to life.
A woman’s soundtrack says as much about her style as her signature scent, and Gala’s latest looks aim to appease any bride looking to walk, strut and dance to her own unique beat.
The latest GALA collection combines an ease and flow to allow for expressive movement with high quality and a fashion-forward bend, inspired by music’s many genres and icons.
“Where words fail, music speaks” – Hans Christian Andersen
I am just CRAZY about this collection, all that sheer flowing tulle and daring design…
Follow the link to GALA No 5 bridal collection by Galia Lahav to find out more about stockists and where to try on these divine wedding gowns.
It is impossible to pick an absolute favourite, but the celestial vibes of the gown with the stars is right up there.
the team behind the amazing photos: designers galia lahav & sharon sever / photographer greg swales @gregswales art / videographer saar mizrahi @saar_mizrahi_ / video editor shahar beeri @shaharbeeri / styling sara bascunan @sarabascunan and lai onyxay @lai_onyxay / hmua sara navarro @saranavarromakeu / models bianca mihoc @bianca.mihoc and masha zaytseva @masha.zaytseva / production magna productions @magnaproductions
These gowns are so beautiful, I forgot to breathe for a second there. The landscape was perfect.
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